Boston’s theater scene

Lyric Stage Co.Boston’s theater companies in recent weeks have started their spring performances.  The Lyric Stage Co. currently features a two man show called Stones in his Pockets which opened earlier this month and runs through Saturday, March 16th.  You can read about this play which takes place in a small Irish village on the set of an American film crew in The Boston Globe’s review.

Also currently running is The New Rep’s comedy, Lungs.  This 90-minute show uses humor to address serious questions about overpopulation, global warming and our collective responsibilities to help preserve the environment for future generations. As with The Lyric Stage Co., performances started earlier this month and the production will hold its final show on Sunday, March 10th.

The A.R.T.Following the A.R.T.’s triumphant pre-Broadway run of Pippin, The American Repertory Theater in Cambridge has been performing The Glass Menagerie, which stars the hunky (and gay actor) Zachary Quinto. The show closes on St. Patrick’s Day, March 17th so get tickets while they remain available.

New performances from The SpeakEasy Stage start later this week (Friday, March 1st to be exact) with their production of Clybourne Park, a show that addresses race, real estate and the volatile values of each. Inspired by Lorraine Hansberry’s classic play A Raisin in the Sun, this show explodes in two outrageous acts set 50 years apart. This new show will run through March 30th.

The Huntington TheatreStarting a week after The SpeakEasy Stage opens with their play that was inspired by A Raisin in the Sun, you can go and see The Huntington Theatre Company interpretation of this American classic. Based on the 1959 classic drama, this will be a fiercely moving show.  A Raisin in the Sun opens on Friday, March 8th and runs through April 7th.,

Also I’m very excited to share news that a new theater company called The Bridge Repertory Theater opens with their first production of The Lover, which opens on tonight and will run through Sunday, March 17th at the Boston Center for the Arts (BCA).

Remarks